Alan Rinzler

Consulting Editor

  • Home
  • About
  • Author List
  • Services
  • Testimonials
  • FAQ
  • Video
  • Blog
  • Contact

The blog for writers

The Book Deal

Ask the editor: The #1 issue for writers today

June 8, 2010 by Alan Rinzler

Q: There’s so much for a writer to think about: platform, query letters, agents, marketing. What’s the most important thing to focus on?

A: That’s easy. Focus on the content of your book. There’s nothing more important.

Content is king

Before all else, keep your attention on the core concept and execution of your book — the writing, the story, the characters, the point and the purpose.

That’s what we acquiring editors and publishers care most about.

For writers who are feeling ignored or rejected by agents or publishers, with no response whatsoever to a query or only a vague but worrisome note like, Not a good fit…We liked it but there wasn’t enough enthusiasm…I have this advice: Remember that these very same agents and editors are searching eagerly for writers every day, scouring print and online sources, hunting for new ideas, trying to discover the next hot debut author.

We can’t survive without you.

So to improve your chances of attracting us and landing a book deal, consider these aspects of producing the best possible work:

Writing well

It’s the best revenge, right? Not every writer can be the next Saul Bellow or J.D. Sallinger, not to mention Henry James or F. Scott Fitzgerald. But that doesn’t mean you can’t write as well as your hardest-working most demanding self. Your own best writing takes — and you knew this was coming – rewriting. It may take a dozen times or more. And if you sustain a consistent, authentic voice of your own, well, hey, that’s you writing, that’s who you are.

Remember that not all the great story tellers are actually the greatest writers, as Dan Brown and Stephanie Myers would probably agree, and so would my one-time author Robert Ludlum, were he still around. These very successful writers keep their characters in motion, and keep us on the edges of our chairs with cliffhangers galore, chapter ending after chapter ending, like this one from Dan Brown in the The Da Vinci Code:

“Do not react to this message, said the fearful whisper of the voice mail. Just listen calmly. You are in danger right now. Follow my directions very carefully.”

Who could put that down?

Creating characters we care about

Give us heroines and heroes who are admirable and with whom we can easily identify.  Villains who are compelling and fascinating even if loathsome. Readers want to care about what happens to your characters. This is true in fiction or nonfiction narrative like memoir, history, and biography.

Successful authors have learned that it’s not just the story, but specifically the fate of the main characters that keeps readers glued to the page.

Read your dialogue out loud. Do your characters have distinct voices? Listen to people around you and find those unique linguistic acrobatics we use every day. Even identical twins sound different from each other. How your characters speak is crucial to telling a great story.  For more ideas, jump to this earlier post,  Writer’s Toolkit: Eavesdropping for dialogue.

Telling an emotionally satisfying story

Even if it’s not a happy-ending story, it needs catharsis and epiphany. You want your readers breathing sighs of relief or shaking their heads in dismay at a tragic denouement. Rainbows or thunderstorms can provide equal closure. The point is to bring down the curtain and send the audience home with some kind of insight, inspiration, new found learning or even wisdom.

Organizing the plot

Where to begin: The happy turning point? The devastating crisis? Birth? Death? And what about all that backstory, the context of everything that’s come before? Flashbacks? Flashbacks within flashbacks? There’s no formula, only careful choices to make. Simplicity is usually the best policy, but if you can avoid incoherence and confusion when juggling the chronology of events, go for it.  For more help, take a look at this earlier post on Seven Techniques for a Dynamite Plot.

Keeping the narrative voice clear as a bell

It’s usually a good idea to have one point of view in fiction or non-fiction narrative. It’s not only young adult novels that benefit from that authentic, irresistible “I” narrator. Nevertheless, more than one point of view is common, workable and even essential for some stories. For example, despite the dangers of head hopping from one character to another, multiple shifts in POV can be employed with craft and artistry as in the recent House Rules by Jodi Picoult, and don’t forget it worked for Tolstoy. I ordinarily advise, however, one or two POV’s at the most, with a switch from first person to omniscient third person to fill in the details and provide perspective. It’s your call.  For more detail on the subject, check out this earlier post, Do Publishers have Rules about POV?

Surprising the reader

Avoid predictability. Even essential elements can be postponed and manipulated. Keep the reader guessing. This is true not only for mysteries and literary novels, but all forms of non-fiction narrative.

Drilling down to the essential ingredients

Choosing what to not to say is the art of storytelling. Less is always better, and it’s actually fun to choose among all that’s happened to create a unique and insightful way of seeing things. Leave out everything you possibly can.

Getting smart feedback

You don’t get second chances when submitting to agents and publishers.

Publishing professionals are flooded with queries, proposals and manuscripts every day and consequently don’t take more than a few minutes to read anything that doesn’t get their strong interest on the first page, which is a rare event indeed. So much of what we get isn’t cooked yet, fully formed, focused, or thought out carefully. Too many authors are in such a hurry to knock our socks off that they skip over the core content and jump ahead with grandiose, unrealistic marketing campaigns, and other premature plans that should come only after they have nailed the best possible concept and execution of the book itself.

So get objective, professional critique and developmental editing first.  For anyone seeking guidance, here’s my advice: Choosing a Freelance Editor: What You Need to Know

Make sense? Anything to add from your own experience? I welcome your comments.

Filed Under: Ask the Editor, Craft of Writing, How To Get Published

Comments

  1. Alan Rinzler says

    November 30, 2010 at 10:19 pm

    Diana,

    Dan Brown isn’t the greatest writer, nor was my late friend Robert Ludlum. But they were both great story-tellers. Dan Brown is a genius of the suspenseful cliff-hanger, like the one quoted in the post. He really does know how to keep readers turning the page eagerly.

    No hack could hold the rapt attention of so many readers for so long. His craft is worthy of our respect, like it or not…

  2. Diana Kenney says

    November 29, 2010 at 2:26 pm

    Wow, I was following you until you mentioned Dan Brown. He is an incredible hack!

  3. Peaches Ledwidge says

    July 8, 2010 at 5:22 am

    I felt you were staring me in the eye and talking to me about my manuscript. This excerpt catches my attenion. “Successful authors have learned that it’s not just the story, but specifically the fate of the main characters that keeps readers glued to the page.” I know I must devote more time to the development of my main characters. Thanks for reminding me.

  4. KRoss says

    June 21, 2010 at 11:12 am

    Excellent insight, however, there’s one more thing that all of us authors absolutely need to know about agents and publishers that you didn’t mention.
    You say story is king, and it is. You are searching high and low for new stories, and that’s true.
    BUT, and this I found out the hard way, There are thousands of really, really great stories out there circulating by new authors we’ve never heard of. Any one of them could be an elusive bestseller. But that’s not what you’re REALLY looking for is it?
    You’re looking for a story that is already successful. Whether it’s sold x-number of copies regionally/nationally, or it has gotten MAINSTREAM ink in MAINSTREAM media, or it’s being talked about/downloaded/distributed/viewed/sold by no less than 100,000 people. Or the story has managed to get everyone excited in the office. If it’s a three-person office, that could be easy. If it’s a corporate behemoth it may be challenging even for the most stellar story.
    This is discouraging for those with fantastic stories but no platform/track record. That’s why the fairy tale publishing deal doesn’t happen that often. If everyone with a great story was able to wow editors, we’d see thousands of deals daily.
    Please someone prove me wrong on this. :)

  5. Jessie Mac says

    June 20, 2010 at 1:53 am

    Thanks for the tips and the encouragement.

  6. Lynn from For Love or Funny says

    June 18, 2010 at 4:32 am

    Google has a funny way of sending me to places that I need to visit. This morning, I found you, and this post was just the inspiration I needed while I’m waiting for my next “It’s not you” letter! Thanks!!

  7. Talei Loto says

    June 15, 2010 at 3:17 pm

    Definitely makes sense! Thank you for sharing your insight and expertise. Now, I am going to re-read this post a number of times.

  8. Alan Rinzler says

    June 14, 2010 at 9:56 pm

    Hi Bernard,

    It’s “not you” this time around. It’s not you — yet. Reread what you sent out. Could it have gone out prematurely?

    I’ll be posting next about getting the most out of a rewrite, so stay tuned.

    It may help to get professional feedback before submitting again. I understand how this process can be discouraging, but remember that most successful writers have experienced many rejections along the way.

  9. Bernard S. Jansen says

    June 14, 2010 at 5:16 pm

    Alan, another encouraging post. Knowing that editors are out looking for good writers is a two-edged sword. When you get form rejections, it feels like they’re saying, “We’re looking for good writers, but that’s not you.”

  10. Marisa Birns says

    June 14, 2010 at 10:05 am

    Truly helpful advice here! I remember all the brouhaha when Dan Brown’s book was published and so many attacked and belittled his writing skills. But, as you’ve said here, his books are successful because while he may write awkwardly, his stories make people want to turn the page to find out what happens next.

    And I have read some books that just fizzled out at the end. Yes, catharsis – whether happy or not – is essential for the reader. You and Aristotle agree. :)

    This is a great post. Thank you.

  11. Sandra S. Richardson says

    June 11, 2010 at 8:05 am

    I’m new to the world of trying to become a published author and have found much of the advice and admonishments to budding authors overwhelming. This is clear, concise and rings true.

    I must first write a good story, then be willing to rewrite that good story into a great story.

    Also, it is encouraging to be reminded that editors are actively searching for an author to promote and have them become a success. They aren’t in the business just to turn us all down.

    Thank you for this wonderful post.

    Sandra

  12. Jeff Rivera says

    June 10, 2010 at 2:42 pm

    Great post, Alan. I really enjoyed it.

  13. Mardi Link says

    June 10, 2010 at 10:10 am

    So Mr. Rinzler, did you take a peek into my head and see EXACTLY what I needed to hear at this present moment? Thanks so much for this – came at the perfect time. The balm to chaos is simply focusing on the work.

  14. Livia Blackburne says

    June 9, 2010 at 6:07 am

    I like the illustration :-) This reminds me of something Rusty Shelton said at the Harvard Writer’s conference. In the age of the internet, when information and word of mouth travels so quickly, it’s more important than ever to write a good book.

  15. Candyland says

    June 8, 2010 at 7:10 pm

    I’ve been feeling stuck lately and THIS was my saving grace. THANK YOU:)

Trackbacks

  1. Favorite Tweets for Writers June 7-June 13, 2010 (organized) says:
    December 11, 2013 at 4:53 pm

    […] The number one issue for writers today: creating a great story.http://bit.ly/9Ebn3t […]

  2. Favorite Tweets for Writers June 7-June 13, 2010 (organized) | Daily Dish Recipes says:
    September 21, 2013 at 4:25 pm

    […] The number one issue for writers today: creating a great story.http://bit.ly/9Ebn3t […]

  3. The #1 Issue for Writers Today « virtualDavis says:
    January 24, 2012 at 4:01 pm

    […] A: That’s easy. Focus on the content of your book. There’s nothing more important. (The Book Deal) […]

  4. Publishing Links – Titles, eBooks, and Sticking to Your Story « Leith Literary says:
    June 10, 2010 at 2:40 pm

    […] from all of the technological speculations  and business processes to the true heart of writerdom: the content of the book.  Quoth Alan, Before all else, keep your attention on the core concept and execution of your book […]

About The Book Deal

Welcome readers.  Let me introduce myself and offer up some credentials for the opinions, perspectives and insights in this blog. In nearly … more »

Working with Alan

I can’t thank you enough!

"Working together was interesting, challenging, and fun. I can't thank you enough for taking my stories and putting them in a comprehensible order, focusing more on my younger, formative days with my parents, and helping me remember great events that added so much to the book."

– US Senator Barbara Boxer. Her memoir, The Art of Tough, was published by Hachette in June 2016.

Figure out how to get Alan on your side

"Figure out how to get Alan on your side. He took my rambling manifesto and helped me hone it into a sharp, funny, culture-changing book featured in the New York Times, the New Yorker, The Atlantic, the Times of London, and most recently on The Daily Show."

– Lenore Skenazy, author Free Range Kids – How to Raise Safe, Self-Reliant Children Without Going Nuts with Worry.

Enthusiastic, imaginative and razor sharp

"Alan is enthusiastic, imaginative, razor-sharp, concise. His line-editing is specific and actionable; his developmental advice truly invaluable, providing focus and direction to the often chaotic process of writing a first novel."

– David Tomlinson, author of The Midnight Man.

An advocate, friend and mentor

“Alan can tell you at one glance, where a manuscript works and where it doesn’t. More than an editor, he’s an advocate, friend, mentor, and a bullshit detector of the highest caliber.”

–  Celeste Chaney, author of In Absence of Fear

A 5-star Olympic Gold Medal for editing!

"Alan Rinzler has edited seven of my books, and no one compares to his competence as an editor. Everything I write he makes better. Alan knows the business, knows writing and understands a writer’s needs. He has my 5-Star Olympic Gold Medal for editing! I’m grateful to have had the opportunity to work with him."

– Michele Borba, author of Building Moral Intelligence, The Big Book of Parenting Solutions, and others.

Featured Video

view more »

Ask the Editor

Tips for blending in the backstory

Tips for blending in
the backstory
2015-07-28T14:50:53-07:00
Tips for blending in the backstory
https://alanrinzler.com/testimonials/tips-for-blending-in-the-backstory/

Wake up your readers! How to thicken a plot

Wake up your readers!
How to thicken a plot
2015-07-28T15:29:05-07:00
Wake up your readers! How to thicken a plot
https://alanrinzler.com/testimonials/another-link/

Memoir or novel for my true story?

Memoir or novel
for my true story?
2015-07-28T20:47:16-07:00
Memoir or novel for my true story?
https://alanrinzler.com/testimonials/3172/

Is your book in need of emotional glue?

Is your book in need of emotional glue?
2015-07-28T20:51:25-07:00
Is your book in need of emotional glue?
https://alanrinzler.com/testimonials/is-your-book-in-need-of-emotional-glue/

Can I really become a better writer?

Can I really become a better writer?
2015-07-28T21:05:22-07:00
Can I really become a better writer?
https://alanrinzler.com/testimonials/can-i-really-become-a-better-writer/

7 techniques for a dynamite plot

7 techniques for
a dynamite plot
2015-07-28T21:17:53-07:00
7 techniques for a dynamite plot
https://alanrinzler.com/testimonials/7-techniques-for-a-dynamite-plot-2/

What to expect from a developmental editor

What to expect from
a developmental editor
2015-07-28T21:21:18-07:00
What to expect from a developmental editor
https://alanrinzler.com/testimonials/what-to-expect-from-a-developmental-editor/

Categories

  • Ask the Editor (23)
  • Book Industry Trends (81)
  • Book Proposal Critiques (4)
  • Craft of Writing (72)
  • Guts Ball: Editing Hunter Thompson (3)
  • How To Get Published (80)
  • Literary Agent Profiles (11)
  • Literary Destinations (3)
  • Marketing Your Book (33)
  • Memoir (7)
  • Parts of a Book (5)
  • Self-Publishing (34)
  • The writer's toolkit (3)
  • Writers at work (2)

Follow me on

2008-2025 © Alan Rinzler Consulting Editor