As a longtime developmental editor, I often get questions from authors about the editor-writer relationship. How exactly do developmental editors work? How can I tell if I’ve found a good one? And will you correct my typos? I can tell you that virtually all successful writers – from Ernest … [Read more...]
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What writers can learn from Barry Eisler
It's inspiring when a successful author goes out of his way to help others in the craft of writing. Barry Eisler is one of those good guys. Though he'd probably rather be known as one baaad dude. He's a one-time CIA operative, a judo black belt and an intellectual property attorney, who's … [Read more...]
It’s the details, writers!
An author builds a narrative with thousands of tiny details. Even before a reader knows what the book is really about, it's through the gradual accumulation of these crucial moments, objects, movements, sounds, smells and touches that the power and meaning of the story emerges. As an editor … [Read more...]
Creating a compelling narrative voice
How does an author of memoir or personal narrative transform a naked self into a compelling voice that tells a story readers can’t put down? This question arises frequently in my work as a developmental editor. One of best books on this technique is The Situation and the Story: the Art of Personal … [Read more...]
Growing a short story into a novel
Do you have a short story work-in-progress that just doesn’t want to fit into 10,000 words or 25 pages? Is it bursting at the seams? Does it feel incomplete and frustrating to read? Then you may have a recalcitrant short story that could be transformed into a successful novel. A case in … [Read more...]
Ask the editor: Is it OK to cross genres?
Q: Is it ok to write a book that crosses genre lines, like a mystery with time travel, or a romance with extraterrestrials? A: The short answer is "Yes, absolutely!" That's the truth, despite the fear that agents and publishers will avoid a book that falls into more than one genre. But … [Read more...]
Grand finales: Tips for writing great endings
Writing a great ending for your book is just as important as a dynamite opening that rivets our attention and compels us to keep turning those pages. A well-written book requires some kind of symphonic climax that resonates in our heads and hearts like the famous 40-second E major chord at the … [Read more...]
Fear of editors
Are you a writer who worries about working with a developmental editor for fear of losing control over the project? You're not alone If so, you’re not the only one. One writer put it this way recently on an online forum: “I worry that an editor will erase my voice.” Another said, “I fear I’ll … [Read more...]
When do you need an editor?
Writers often ask me when they should consult a developmental editor. The concerns go something like this: I’ve heard that literary agents and commercial publishers don’t want to see a book until it’s already edited and ready for production. And if I decide to self-publish, I’m out on a limb by … [Read more...]
Wake up your readers! How to thicken a plot
Here’s a situation that editors encounter frequently: manuscripts with a large cast of potentially interesting characters, sparkling dialogue, and the glimmer of ideas churning just beneath the surface. But after a little while the scenes become repetitious, the characters and their machinations … [Read more...]
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